Monthly Archives: May 2015

Atoms of the Soul

Dad sleeping

I dug this little piece out for a friend who is beginning a writing project. Pick an image, I told her. This is one of the first bits I wrote almost year ago with that same prompt. For some reason, the piece ended up on the cutting room floor. Maybe I’ll bring it back:

I think I’m done actively grieving, and then I open my eyes. On top of my white king-sized pillow is a smaller one in a rose-colored pillowcase. When I open my eyes in the morning, lying on my side, it’s what I see first. A rose-colored world.

My husband says it barely qualifies as a pillow. It’s a suggestion, a flattened wisp. If I fluff it out and smooth it with my palm, it rises above the bed less than three inches. Strange when I see it that way. It almost looks normal, a utilitarian object that happens to be enclosed in a mismatched bed linen. Its wonder is its malleability. It can be curled into a ball, or laid softly across my chest like a cat.

I wonder if it began its pillow-life full of stuffing and somehow, as it was carried from one bed to the next, it lost a feather here, a feather there. If its diminishment fell beneath notice.

This is the pillow that cradled my father’s head when he died. I remember it from my mother and father’s house in Tacoma. I remember it – or one just like it – on my mother’s bed when she died. If it is the same pillow, I imagine it was encased, then, in a cover with yellow roses. My mother loved yellow. The pillow followed my father to his assisted living apartment in Seattle, then to my house. He tucked tissues under it each night. By morning, he had compacted it into a tight roll. Toward the end, when he was half-conscious in his recliner, I lifted his head and molded it around his neck.

I cannot let go of the pillow. A superstitious person might feel it is bad luck to keep something that came into such direct contact with death, that in those sloughed off skin cells, now reduced to dust, atoms of the soul remain. When I clutch it to my chest, I cradle the little bit of my father that remains.

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“Why Don’t People Write More Poetry?”

Why I Wake Early book cover by Mary Oliver

That’s the question my friend G. asked me today. She’s just a few years older than me and has had a dozen strokes; the doctors don’t know why. She struggles with words — fidgets with her hands as if trying to create  words out of invisible clay — and her short term memory is shot. But she gets poetry.

During my visit today, I brought along “Why I Wake Early” by Mary Oliver, the poet known for revealing the marvelous in her minute observations of nature. For some reason, I’d dog eared the poem “October.” When I started to read it, I immediately thought I’d made a mistake. It’s written in seven numbered sections with abstract imagery in which Oliver seems to hover above a scene. Gail was intrigued, had me read it seven times. As she listened she closed her eyes, enraptured.

When I read “Peonies,” she picked up on the phrase “beauty the brave,” and repeated it over and over. That one we read three times. Then “Goldenrod.” She loved the language of it, the assonance of “rumpy bunches,” the alliteration of “dumb dazzle.” She rolled the phrases around in her mouth like marbles. I don’t know how many times we read that one.

When I read her the last few lines, in which the goldenrods “bend as though it was natural and godly to bend,/they rise in a stiff sweetness/in the pure peace of giving/one’s gold away,” I told her that she has gold to give — her unfettered love and sense of humor. Though her abilities have changed, her value has not. If anything she is more cherished than ever by those who love her.

We almost didn’t make it past the first line of “Blue Iris”: Now that I’m free to be myself, who am I?

Each time I started down the 15-line poem, she laughed and stopped me.

Why don’t more people write poetry, or at least read it?

 

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